![]() ![]() ![]() Here, his never less than acute attention falls on the interior lives of the Hildebrandt family in small-town Illinois in the run-up to Christmas. Since The Corrections, 20 years ago, Franzen has made himself the modern master of that fundamental driver of the 19th-century novel, the understanding that all happy families are alike, but every unhappy family is unhappy in its own way. ![]() T he characters in Jonathan Franzen’s sixth novel exist in that much-disputed no man’s land between hip and square, in the culture wars of 1971. ![]()
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